Your wedding is a chance to get creative and think about how you and your partner want to represent yourselves to family and friends while including those special to you. Here are nine weddings that combine different aspects of the couples’ cultures as they adapt the traditional into something unique and unforgettable.Read More
How to diversify portfolios is a topic that comes up frequently in photography groups on Facebook. It generally looks something like this: “I want to start photographing gay weddings but don’t have any gay clients… what do I do?” or “I need make my portfolio less white/straight… should I do a model call?” A few of those conversations have resulted in white people getting called out for tokenizing members of marginalized communities and, frequently, those who were called out responded with mild (or not so mild) outrage and wondered how to get away from their straight white client base if they can’t do model calls for LGBTQ2S+ folks or POC to expand their portfolios.
There is very limited information regarding tokenism as it pertains to fine arts generally and photography portfolio building specifically. This article is an attempt to compile the information I did find and present it in a way that is applicable to the photography industry. It might seem straightforward and obvious to some, but I think it is needed
Their wedding was not just centered on Onowa and Paul's love for each other, but on their love of each other's family, friends, and community. Their wedding started with a Cree smudging ceremony and a beautiful musical performance, followed by promises made to each other, and an exchanging of rings. Onowa, Paul, and Onowa's youngest daughters then shared what they were each bringing to the marriage, which brought looks of tenderness as well as lots of laughter. Both Onowa and Paul wore items that reflected their cultures; Onowa wore a beaded hair piece with her veil, and Paul wore a traditional Maori necklace and tie with Maori designs.Read More